
Paul Reed Smith Guitars
380 Log Canoe Circle
Stevensville, MD 21666
USA International:
Phone: 410-643-9970
FAX: 410-643-9980
Paul Reed Smith Guitars have been creating guitars for celebrity guitar
players for years. From Carlos Santana to Howard Lesse they have lived
up to their excellent reputation. They use top quality materials as well
as top guitar technology. From the raw mahogany guitar bodies to the
finish on the neck these guitars are made to sound and feel pure solid
guitar tone. For Heavy Metal, Jazz, or Progressive Rock guitarist. PRS
guitars are top of the field and state of the art.
It’s difficult to say when PRS actually was started. Paul Smith
started in 1976 making a solid body electric for Ted Nugent as well as
one for Peter Frampton. The company was officially started in 1985 when
it debut it’s guitars at the NAMM show. Back in the late 70’s
he built guitars for Al DeMiola, Santana and Heart’s Guitarist
Howard Lesse. These guitars where all hand made one of kind. He used
maple tops on these guitars and one some of the first guitars he actually
used wood from a dresser drawer. This was the curly maple that you see
on many maple topped guitars (Gibson, Fender and other companies as well).
The body styles where double cut-away with a unique design to them. The
Les Paul body shape is owned by Gibson and it can’t simply be copied.
The PRS body shape is one of the better designed shapes. It has elements
of both Gibson and Fender yet is very much its own design. Paul Smith
wanted to create a guitar that had the best of both brands in a one guitar.
The neck length for instance was right between that of Gibson’s
and Fenders: 25 inches (Gibson 24.75 inches, Fender 25.5 inches). The
radius of the neck also was right in the middle with a 10 inch radius
as opposed to the 12 inch for Gibson and 7.7 5 inch for Fender. The wood
used for the necks where usually a single piece of Mahogany with a rosewood
fretboard. The guitars also featured an unstained natural maple binding
in place of the plastic binding used by other guitar manufacturers (plastic
around the body and/or neck).
These models also used a 3 pickup design like that of the Fenders and
used a rotary knob in place of a 5 way selector switch found on some
Fenders. This gave the guitar 5 different tones. The pickup types also
varied between the models. Fender for the most part used single coil
pickups and Gibson usually Humbucker Dual Coils or P-90s. The PRS guitars
for the most part used a combination of both. They had a Humbucker in
the Bridge position and then two single coils, one for the mid, one for
the neck. This in combination with the rotary knob gave you 5 unique
sounds by combining the single and dual coil pickups.
PRS had a new type of bridge designed that was based on the Fender Strat
vibrato but used cam-locking tuners which allowed for great pitch variation
without going completely out of tune. This is different than the Floyd
Rose systems used at the time.
By 1987 the company started making limited editions. These guitars where
made of the finest woods available and hand crafted. These guitars where
also signed by PRS on the headstock of the guitar. In 1991 the Artist
Series became the most popular guitars produced by the company as the
limited editions had been stopped for a number of practical reasons.
If you own a PRS guitar made before 1991 you probably have one of these
limited edition models. This is a collector’s item or will very
likely be more valuable than other versions.
In ’91 they started manufacturing a newer series of limited editions
which included a non-tremolo bridge (tune-o-matic type) with a stud tailpiece.
These guitars also had hollowed out cavities in the body yet didn’t
have any ‘f’-holes. On some models redwood and cedar replaced
the maple curly tops. Around this time they started making a more affordable
version which had a bolt-on necks and maple necks with maple fretboards.
The guitars made up to this point all had been set-in (glued) to the
body. This guitar was called the Classic Electric but later changed to ‘CE’.
This guitar also had a 22 fret neck and mahogany body.
|